The Cinematologists Podcast

Close-up (with Mania Akbari)

Neil, Dario and guest presenter Mark Jenkin discuss the work of Iranian master Abbas Kiarostami particularly focusing on his 1990 'documentary' Close-Up. Having recently passed away the love and reverence for Kiarostami in the international film community was starkly apparent by the depth and breadth of tributes to him. Having watched many of his films we discuss his legacy, status and the vibrancy of filmmaking from Iran despite the hugely difficult social and political conditions.This episode also features an interview with Iranian Filmmaker Mania Akbari. After collaborating with Kiarostami on Ten as an actress, along with her son, Akbari has gone on to a directorial career of her own, making provocative films (along with art exhibitions) that are expressly feminist in nature tackling issues such as memony, identity, the body and sexuality all with an uncompromising personal underpinning.   Show NotesThe Most Fatal Attraction: Kiarostami's Close-up revisited - Coco FergusonMania Akbari's Website

Taxi Driver

We return to the Kino Teatr in St. Leonards to screen and discuss one of the most iconic and celebrated films in movie history. Martin Scorsese's Taxi Driver, scripted by Paul Schrader, has become a touchstone depiction of the alienated American experience post-Vietnam centered around a scintillating performance by Robert De Niro. Dario is joined by guest presenter Alex Fitch as they discuss the film's legacy, Scorsese as a director and all the other elements that give the film its classic status. And Neil and Dario expand on may of the key themes that permeate the work of arguably the greatest living American filmmaker. Show notes:Cinema is GoneFilm Comment Scorsese InterviewClose Up podcast Scorsese interview 

The Happiest Day in the Life of Olli Mäki (with director Juho Kuosmanen)

For today's episode we team up with MUBI and Little White Lies to feature Cannes 'Un Certain Regard' prize winner The Happiest Day in the Life of Olli Mäki. Neil interviews the film's director Juho Kuosmanen about his subtle boxing love story and we also have a Q&A from a recent screening held and the ICA in London. Dario and Neil ruminate on some of the themes central to the film particularly the depictions of masculinity and struggle to find one's true self in the face of external pressures.

Professor Richard Dyer

In the second of a long-form interview double bill, Dario talks to Professor Richard Dyer about is career and work. Professor Dyer's writing and scholarship has been extremely influential across Cultural Studies and Film Studies with recurring foci on the politics of representation, ideology and class, gender and sexuality, race, stardom to name just a few. His intellectual curiosity is infused with a identity politics that often centres around the difficult, contradictory relationship between cultural production and social reality. His work is hugely relevant to today's issues and in this interview Professor Dyer is generously self-reflexive in looking back, with a critical eye, over his long and distinguised career. 

Ben Wheatley

In this episode Neil talks to film director Ben Wheatley. In a fascinating and in-depth interview and Q&A, Ben discusses his filmmaking career and his most recent release Free Fire, giving analysis and nuggets of advice that will be of interest to both ardent fans and aspiring filmmakers alike. 

Victim (with writer David Blakeslee)

Dario is joined by film lecturer Douglas McNaughton at the Electric Palace to screen Basil Dearden's profound drama Victim (1961), starring the magnetic Dirk Bogarde and the superb Sylvia Sims. In many ways a film ahead of its time dealing with the social implications of homosexuality in a time when it was still illegal and a taboo subject. On its release in the United Kingdom it proved highly controversial to the British Board of Film Censors, and in the U.S. it was refused a seal of approval from the American Motion Picture Production Code. Dario also speaks to writer and podcaster David Blakeslee who has written about the film for his Criterion Cast blog.Show NotesThe Eclipse Viewer Podcast: http://criterioncast.com/category/podcast/eclipse-viewerDavid Blakeslee's contributor's page at Criterion Cast: http://criterioncast.com/author/davi  and Criterion Reflections blog (1921 through 1967): http://criterionreflections.blogspot.com/Neil's piece on Victim for Hope Lies at 24 Frames Per Second: https://medium.com/hope-lies-at-24-frames-per-second/i-realise-everything-dirk-bogarde-in-as-victim-51b5634fa063   

Feminist Surrealism and Film (with Dr Sabina Stent & Dr Felicity Gee)

Neil is joined at Falmouth University's School of Film & Television by Dr Sabina Stent (@SabinaStent) and Dr Felicity Gee (@fiandshoegaze) to discuss feminist surrealism and film. The event took place in front of students, staff and local filmmakers and artists and was a wide-ranging discussion that was invigorating and illuminating. Also, the talk of a personal politics of resistance was much needed in these troubling times.







This episode is presented in association with Mubi to coincide with their season dedicated to experimental and independent female filmmakers. Filmmakers whose work is screened as part of the season include Chantal Akerman and Agnes Varda, prominent figures in the podcast discussion. The season starts Friday March 3rd and in addition to those mentioned above showcases work by Anna Biller, Celine Sciamma, Lena Dunham, So Yong Kim and Cinematologists favourite Ida Lupino. We screened and discussed Lupino's The Hitch-hiker for an earlier episode. MubiBelow you will find links to work that was screened as part of the event:Backcomb by Sarah Pucill (1995)Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles by Chantal Akerman (1975)Self Obliteration by Yayoi Kusama (1967)Nadja a Paris by Eric Rohmer (1964)The Seashell and the Clergyman by Germaine Dulac (1928)Link to other clips discussed on the showLauren Elkin's Website

Eyes Without a Face (with academic Matt Smith)

Dario is joined by Film Theorist Emre Caglayan at the Electric Palace in Hastings to screen and discuss Georges Franju's classic surrealist inspired horror Eyes Without a Face. A truly influential film Eyes Without a Face is often placed alongside Psycho and Peeping Tom as examples of art-house director exploring the horror genre and the film still possesses a sense of unsettling eeriness. Dario also interview Matt Smith an academic from Georgia State University in Atlanta to discuss the influence of the Eyes Without A Face on new extremist cinema on France at the end of the 20th century. Neil and Dario expand on Franju's legacy as a filmmaker in the French canon.You can watch Eyes Without a Face on Youtube.