The Cinematologists Podcast

Dark River (with Clio Barnard and Andrew Kötting)

The arrival of a new film by Clio Barnard promises an in-depth and uncompromising study of character and place; Dark River, her new film set in the harsh and beautiful Yorkshire farming landscape, is no exception. The northern locale links to her previous films The Arbor and The Self Giant, as does the bleak and brutal tragedy of the human stories. However, this rural tale, based on the Rose Tremain novel Trespass, is somewhat of a departure from the urban working-class focus of those previous films. In this Q&A, presented in association with Cinecity, Clio talks about the film with long-time friend Andrew Kötting, touching on the development of the script from the book, the casting, her minimalist aesthetic, the P.J. Harvey soundtrack and the challenges of the rural locations.Show notesClio Barnard interview in The Independent with Jacob StolworthyArrow Film Dark River Press ReleaseInterview with Clio Barnard on The Selfish GiantDark River: Why British Films Have Gone Back To The Land - Nick Hasted in The Guardian

















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Paul Thomas Anderson

The recent release of Paul Thomas Anderson's eighth narrative feature film Phantom Thread has the film world abuzz. No one is more excited than us here at The Cinematologists as it gives us a long-awaited chance to go deep on one of our favourite filmmakers and someone we believe to be one of, if not the greatest American filmmakers currently working.This first episode of the new season sees Neil and Dario discuss Anderson's place in the pantheon, his unique talents and style, and the immediate impact of his latest work - so different and yet so in line with his previous films. It also precedes a forthcoming bonus episode on Inherent Vice that has been gathering dust in the Cinematologists vault awaiting the right time to see the light of day. For now though, here's the episode:The release of Phantom Thread has seen some great writing and discussion emerge on the film and Anderson's career and films. Here are some of our favourites on the film and his work:The Film Comment Podcast - Violet Lucca and Sheila O'Malley discuss Phantom ThreadMelissa Anderson on Phantom Thread for 4ColumnsThe Curzon Film Podcast - Jake Cunningham, Josh Slater-Williams and Dr. Irene Musemeci on Phantom Thread

Contemporary Film Criticism

We’ve been compiling this episode for about 6 months now and we’ve conducted interviews in New York, Bristol, The Shetland Islands and via Skype. We hope our delve into film criticism is worth the wait. Thank you firstly to our participants, so generous with their time and thoughts. A huge thank you also to our roving reporter Charlotte Crofts for the amazing interview with Tara Judah featured in the episode, and others we couldn’t manage to get in. Thank you finally to our listeners who suggested this episode.The wealth of material we got was overwhelming so look out for all the interviews being uploaded in January while we are on our winter break. That should keep you going in the cold winter months.ParticipantsTara Judah https://tarajudah.com/ @midnightmoviesSam Fragoso http://talkeasypod.com/ @SamFragosoSimran Hans https://www.theguardian.com/profile/simran-hans @heavier_thingsAshley Clark http://www.bfi.org.uk/people/ashley-clark  @_Ash_ClarkViolet Lucca https://www.filmcomment.com/author/vlucca/ @unbuttonmyeyesMark Kermode https://www.theguardian.com/profile/markkermode @KermodeMovieProf. Linda Ruth Williams https://humanities.exeter.ac.uk/film/staff/lwilliams/ @lindaruth1Tom Shone http://tomshone.blogspot.co.uk/ @Tom_ShoneRoll of HonourAll the critics given shout outs across our interviews...Sophie Mayer, Alexandra Heller-Nicholas, Cerise Howard, Emma Westwood, Thomas Caldwell, Josh Nelson, Jack Sargeant, Dana Linssen, Kees Driessen, Rüdiger Suchsland, Adrian Martin, Catherine Grant, Cristina Alvarez Lopez, Kevin B. Lee, Michael Wood, Jonathan Rosenbaum, Robin Wood, Victor Perkins, David Bordwell, Kristin Thompson, Hadley Freeman, Marina Hyde, Ren Zelen, Christina Newland, Molly Haskell, Ashley Clark, James Baldwin, Graham Greene, Cahiers Critics, Bogdanovich & Schrader, Toby Hazlet, Violet Lucca, Doreen St. Felix, Jia Tolentino, Vinson Cunningham, Hilton Als, Wendy Ide, Simran Hans, Guy Lodge, Pauline Kael, Kim Newman, Roger Ebert, Andrew Sarris, Alan Jones, J Hoberman, Anne Billson, Kate Muir, Kay Austin Collins, Ira Madison, Alyssa Wilkinson, Scott Tobias, Keith Phipps, Tasha Robertson, Tim Grierson, Anjelica Jade, Nathan Heller, Jeremy O’Harris, Hunter Harris, Wesley Morris, Nick Pinkerton, Eric Hynes, Badlands Film Collective, AO Scott, Anthony Lane, David Edelstein, Elvis Mitchell, Amy Taubin,  Christian Lorentzen, Senses of Cinema, Four Columns and Reverse Shot.The incidental music for this episode is from Giorgio Gaslini's score for Antonioni's La Notte.

Post-Weinstein (plus an interview with Dr. Tamsyn Dent.)

The fallout from the Harvey Weinstein revelations has been seismic, dramatically exposing the well-known but largely silent culture of sexism in the film industry. Various high profile names have followed in being accused of historic and recent abuses in what could prove to be a watershed moment, not only for Hollywood but Western culture more broadly. In this episode, Dario and Neil discuss the possible dynamics of the post-Weinstein era with a contribution from Dr Tamsyn Dent (@tamsyn_dent), a lecturer in Media Production at the University of Bournemouth. Tamsyn has worked with the Raising Films organisation in producing the #Rasingourgame industry report,  a framework of accountability to ensure that diversity and inclusion are widely adopted in the Film and TV industry.Show notesRaising FilmsSalma Hayek on WeinsteinWhat do we do with the art of monstrous men? by Claire DedererInterview in Variety with Megan Twohey and Jodi Kantor on how they broke the Weinstein story

La Notte (featuring film critic Robert Koehler)

Michelangelo Antonioni is generally recognised as one of the seminal directors of the European Art House tradition. In this week’s episode, The Cinematologists return to the Electric Palace Cinema to screen his 1961 film La Notte. The central film in his classic trilogy of modern alienation – L’avventura and L’eclisse being the other two - La Notte features three of the most iconic European stars - Jeanne Moreau Marcello Mastroianni and Monica Vitti - in a tale of strained relationships set in the abstract architectural spaces of Milan and the rarefied yet superficial circles of Italian high society.This episode also features an interview with the renowned film critic Robert Koehler who discuss his love and admiration of Antonioni's film particular focusing on the film that he sees as the filmmaker's masterpiece L'avventura.Show notesSenses of Cinema review of La NotteLA Times article on La Notte restorationRobert Koehler's Sight and Sound article on L'avventuraDear Antonioni documentary 

(Bonus) Alex Barrett & London Symphony

London Symphony is the latest feature film from director Alex Barrett. This bonus episode features a short interview with Alex and a post screening Q&A both recorded when Alex visited the School of Film & Television at Falmouth University recently. Below are links to the film and where to see it. London Symphony (Official Site)London Symphony on BFI Player (with Mark Kermode intro)London Symphony at Flicker Alley (Worldwide DVD)

(Bonus) Brighton CineCity Co-Director Tim Brown

Brighton Film Festival (CineCity) 2017 begins Friday 10th of November. In this bonus episode Dario talks to co-director Tim Brown about the history of the festival, its position and status in UK Film Culture and the partnerships with venues around the city. Dario and Tim then pick out their highlights from a packed and diverse programme.For information and to book tickets go to: http://www.cine-city.co.uk/ 

A New Leaf (w/ The Ballad of Shirley Collins filmmakers)

In the new episode, Number 53, Neil and Dario screen and discuss Elaine May’s hilarious and acerbic 1971 comedy masterpiece A New Leaf, co-starring Walter Matthau. Neil screened the film at Falmouth University’s School of Film & Television with his colleague Kingsley before a live audience of staff and students.Discussions in the episode cover writer/director/performers in Hollywood, the belatedly secured reputations of women in film, what comedy should be used for and when, and the genius of Walter Matthau.The second of those topics is pertinent to the interview for this episode, which Neil conducted with Rob Curry and Tim Plester, the filmmakers behind the new documentary The Ballad Of Shirley Collins. The film is a wonderfully lyrical film and it’s now on general release - http://www.shirleycollinsmovie.com/Key Moments:10Mins            A New Leaf Screening Intro34Mins            The Ballad of Shirley Collins (Interview & Chat)1hr 5Mins        A New Leaf Post-Film DiscussionLinks to articles on A New Leaf:BFIRogerEbert.comNY Times (Original Release)New Yorker (DVD Release)